ATTRIBUTED TO FRANS FRANCKEN II (ANTWERP 1581 - 1642) . The Virgin Sewing beside the Infant Christ and Adoring Angels

Oil on copper

This exquisite painting on copper is a quintessential example of 17th-century Flemish cabinet art, attributed to the celebrated Antwerp master Frans Francken II or his immediate circle. The scene depicts a tender, domestic moment elevated to the divine: the Virgin Mary is shown sewing, her figure bathed in a celestial glow, while the Christ Child rests in a richly carved, gilded Gothic cradle. Surrounding the cradle, a group of adoring angels with finely rendered features and shimmering vestments adds to the spiritual intimacy and theological depth of the composition.
The use of copper as a primary support—a hallmark of the Francken workshop—allows for an extraordinary level of precision. This is visible in the luminous glazes, the delicate gold rays emanating from the Holy Spirit, and the intricate, almost enamel-like textures of the fabrics. The deep, saturated palette and the dramatic distribution of light reflect the sophisticated narrative style that made Frans Francken II the most sought-after painter of small-scale copper panels in Antwerp.
The presence of the wooden backing ensures the stability of the copper plate, preserving the vibrant, jewel-like colors. This work stands as a superb testament to the refined religious iconography and technical virtuosity that flourished in Flanders during the Golden Age.
Oil on copper, 30 x 21.5 cm.