From 1920 he permanently settled in Paris, where he rotated in the École de Paris milieu. He lived with Moïse Kisling, among others, and was closely associated with Mela Muter, with whom he shared a studio after the war. He participated in the most important Paris salons: The Autumn Salon, the Salon des Independents and an exhibition at the Musée des Arts décoratifs (1919). He also exhibited in New York and Poland.
In 1935, he co-founded the Paris Group of Polish Artists. He regularly returned to Spain, where he was, among other things, set designer of the Odeon Theater in Madrid and graphic editor of several art magazines. His work shows the influence of ultraism, expressionism and symbolism.
During World War II, he stayed in the French Voiron near Grenoble. During this time, much of his work was lost, left in his Paris studio. After the war, in 1947-1948, he used the atelier of Mela Muter.
His paintings combine expression with symbolic reflection, often taking on subjects with a spiritual, visionary or metaphorical dimension.
He died in 1953 in Paris. He was buried in the Montrouge cemetery.
